Adina Sommer
Antique and Contemporary Art
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80797 München
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Adina Sommer`s Rare Antique Maps and Contemporary Art
Marché aux Nègres.
| Article ID | AMS1202 |
| Artist | Engelmann (1788-1839) |
| Godefroy Engelmann was a 19th-century Franco-German lithographer and chromolithographer. Godefroy Engelmann was born in 1788 in Mühlhausen, a small town near the France/Switzerland/Germany border. At the time of his birth Mulhouse was a free German republic associated with the Swiss Confederation, but was annexed by France 10 years later. He died in that same town in 1839, from a tumor in his neck. Engelmann trained in Switzerland and France at La Rochelle and Bordeaux, and he studied painting and sketching in Jean-Baptiste Regnault’s atelier in Paris. In the summer of 1814 he travelled to Munich, Germany to study lithography, a German invention. The following spring, he founded La Société Lithotypique de Mulhouse. In June 1816 he opened a workshop in Paris. Engelmann is largely credited with bringing lithography to France and later, commercializing chromolithography. In 1837 he was granted an English patent for a process of chromolithography that provided consistently high-quality results. Throughout his life, he produced large numbers of prints, including numerous plates for Baron Isidore Justin Séverin Taylor's celebrated collection of lithographs, «Voyages pittoresques et romantiques dans l’ancienne France». Engelmann's Paris printing company, -Engelmann et Graf- was passed on to his son, Godefroy Engelmann II (born 1819), who carried on his father's work with the same high artistic quality until his own death in 1897. | |
| Title | Marché aux Nègres. |
| Year | ca. 1827 |
| Description | View shows a former brasiilian slavery market in Rio de Janeiro. After the original painting of Moritz Rugendas. |
| The city of Rio de Janeiro proper was founded by the Portuguese 1565 and was named São Sebastião do Rio de Janeiro, in honour of St. Sebastian, the saint who was the namesake and patron of the Portuguese then-monarch Sebastião. Rio de Janeiro was the name of Guanabara Bay. Until early in the 18th century, the city was threatened or invaded by several mostly French pirates and buccaneers, such as Jean-François Duclerc and René Duguay-Trouin. When founded in 1565, the city was initially the seat of the Captaincy of Rio de Janeiro, a domain of the Portuguese Empire. Rio de Janeiro became the chosen seat of the court of Queen Maria I of Portugal, who subsequently, in 1815, under the leadership of her son, the Prince Regent, and future King João VI of Portugal, raised Brazil to the dignity of a kingdom, within the United Kingdom of Portugal, Brazil, and Algarves. When Brazil was elevated to Kingdom in 1815, it became the capital of the United Kingdom of Portugal, Brazil and the Algarves until the return of the Portuguese Royal Family to Lisbon in 1821, but remained as capital of the Kingdom of Brazil. From the colonial period until the first independent decades, Rio de Janeiro was a city of slaves. When Prince Pedro proclaimed the independence of Brazil in 1822, he decided to keep Rio de Janeiro as the capital of his new empire while the province was enriched with sugar cane agriculture in the Campos region and, especially, with the new coffee cultivation in the Paraíba Valley. In order to separate the province from the capital of the Empire, the city was converted, in the year of 1834, in Neutral Municipality, passing the province of Rio de Janeiro to have Niterói as capital. Rio continued as the capital of Brazil after 1889, when the monarchy was replaced by a republic. | |
| Place of Publication | Paris |
| Dimensions (cm) | 21 x 28,5 cm |
| Condition | Tear external margin perfectly restored |
| Coloring | colored |
| Technique | Lithography |
Reproduction:
39.00 €
( A reproduction can be ordered individually on request. )