Adina Sommer
Antique and Contemporary Art
Winzerer Str. 154
80797 München
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+49 89 3000 2213
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Adina Sommer`s Rare Antique Maps and Contemporary Art
L’Empire de la Chine d’apres l’Atlas Chinois, avec les Isles du Japon.
| Article ID | ASC0949 |
| Artist | Bonne (1727-1795) |
| Rigobert Bonne (1727–1795) was one of the most important cartographers of the late 18th century. In 1773 Bonne succeeded Jacques Nicolas Bellin as Royal Cartographer to France in the office of the Hydrographer at the Depôt de la Marine. Working in his official capacity, Bonne compiled some of the most detailed and accurate maps of the period. Bonne’s work represents an important step in the evolution of the cartographic ideology away from the decorative work of the 17th and early 18th century towards a more detail oriented and practical aesthetic. With regard to the rendering of terrain Bonne maps bear many stylistic similarities to those of his predecessor, Bellin. However, Bonne maps generally abandon such common 18th century decorative features such as hand coloring, elaborate decorative cartouches, and compass roses. While mostly focusing on coastal regions, the work of Bonne is highly regarded for its detail, historical importance, and overall aesthetic appeal. | |
| Title | L’Empire de la Chine d’apres l’Atlas Chinois, avec les Isles du Japon. |
| Year | ca. 1760 |
| Description | Map shows China in 1760 with Corea and Japan. |
| By the 15th century, Beijing had essentially taken its current shape. The Ming city wall continued to serve until modern times, when it was pulled down and the 2nd Ring Road was built in its place. It is generally believed that Beijing was the largest city in the world for most of the 15th, 16th, 17th, and 18th centuries.The first known church was constructed by Catholics in 1652 at the former site of Matteo Ricci's chapel; the modern Nantang Cathedral was later built upon the same site. The capture of Beijing by Li Zicheng's peasant army in 1644 ended the dynasty, but he and his Shun court abandoned the city without a fight when the Manchu army of Prince Dorgon arrived 40 days later. The Forbidden City was the Chinese imperial palace from the Ming dynasty to the end of the Qing dynasty( the years 1420 to 1912). It is located in the center of Beijing, China, and now houses the Palace Museum. When Hongwu Emperor's son Zhu Di became the Yongle Emperor, he moved the capital from Nanjing to Beijing, and construction began in 1406 on what would become the Forbidden City.Construction lasted 14 years and required more than a million workers. It served as the home of emperors and their households as well as the ceremonial and political center of Chinese government for almost 500 years. The palace complex exemplifies traditional Chinese palatial architecture, and has influenced cultural and architectural developments in East Asia and elsewhere. Since 1925 the Forbidden City has been under the charge of the Palace Museum, whose extensive collection of artwork and artifacts were built upon the imperial collections of the Ming and Qing dynasties. | |
| Place of Publication | Paris |
| Dimensions (cm) | 31 x 44,5 |
| Condition | Perfect condition |
| Coloring | original colored |
| Technique | Copper print |
Reproduction:
43.50 €
( A reproduction can be ordered individually on request. )