Wahrhaffte Contrafehtung der Reichstatt Ulm / wie sie zu unser zeit im wesen ist.

Title

Wahrhaffte Contrafehtung der Reichstatt Ulm / wie sie zu unser zeit im wesen ist.

General view of the city of Ulm in Baden- Württemberg. Furthermore with many figural staffages and the Ulm city coat of arms.

ca. 1550

Artist

Münster (1489-1552)

Sebastian Münster (1489–1552) was a leading Renaissance cosmographer. His most famous work, the Cosmographia (1544), was a comprehensive description of the world with 24 maps, based on research dating back to 1528. Continuously revised, the 1550 edition already included many new maps. It was the first scientific yet accessible world description published in German, illustrated with numerous woodcuts by artists such as Hans Holbein the Younger. Between 1544 and 1650, the Cosmographia appeared in 46 editions (27 in German) and was translated into several languages. Münster’s work combined the knowledge of scholars, artists, and travelers and remained influential long after his death.

Historical Description

Ulm, founded around 850, is rich in history and traditions as a former Free Imperial City. At first, Ulm's significance was due to the privilege of a Königspfalz, a place of accommodation for the medieval German kings and emperors on their frequent travels. Later, Ulm became a city of traders and craftsmen. One of the most important legal documents of the city, an agreement between the Ulm patricians and the trade guilds (German: Großer Schwörbrief- in the Schwoerhouse), dates from 1397. This document, considered an early city constitution, and the beginning of the construction of an enormous church (Ulm Minster, 1377), financed by the inhabitants of Ulm themselves rather than by the church, demonstrate the assertiveness of Ulm's mediaeval citizens. Ulm blossomed during the 15th and 16th centuries, mostly due to the export of high-quality textiles. The city was situated at the crossroads of important trade routes extending to Italy. These centuries, during which many important buildings were erected, also represented the zenith of art in Ulm, especially for painters and sculptors like Hans Multscher and Jörg Syrlin the Elder.