Wahrhaffte Contrafehtung der Reichstatt Ulm / wie sie zu unser zeit im wesen ist.

Title

Wahrhaffte Contrafehtung der Reichstatt Ulm / wie sie zu unser zeit im wesen ist.

Description

General view of the city of Ulm in Baden- Württemberg. Furthermore with many figural staffages and the Ulm city coat of arms.

ca. 1550

Artist

Münster (1489-1552)

Sebastian Münsters (1489-1552) is one of the famous cosmographers of the Renaissance. Its real importance in the field of cartography is based on its famous cosmography, which he published in 1544 with 24 double-sided maps (including Moscow and Transylvania). The material for this came largely from research and the collection of information from around 1528, which he initially only wanted to use for a description of Germany, but was now sufficient for a map of the entire world and ultimately led to a cosmography. He constantly tried to improve this work, i.e. to replace or add to maps. In the edition of 1550, only 14 maps were taken over from the earlier editions. The 52 maps printed in the text were also only partially based on the old maps. The great success of this cosmography was also based on the precise work of the woodcuts mostly by Hans Holbein the Younger, Urs Graf, Hans Rudolph Deutsch and David Kandel. It was the first scientific and at the same time generally understandable description of the knowledge of the world in German, in which the basics of history and geography, astronomy and natural sciences, regional and folklore were summarized according to the state of knowledge at that time. Cosmography is the science of describing the earth and the universe. Until the late Middle Ages, geography, geology and astronomy were also part of it. The first edition of the Cosmographia took place in 1544 in German, printed in Heinrich Petri's office in Basel. Heinrich Petri was a son from the first marriage of Münster's wife to the Basel printer Adam Petri. Over half of all editions up to 1628 were also published in German. However, the work has also been published in Latin, French, Czech and Italian. The English editions all comprised only a part of the complete work. Viktor Hantzsch identified a total of 46 editions in 1898 (German 27; Latin 8; French 3; Italian 3; Czech 1) that appeared from 1544 to 1650, while Karl Heinz Burmeister only had 36 (German 21; Latin 5; French 6; Italian 3; Czech 1) that appeared between 1544 and 1628. The first edition from 1544 was followed by the second edition in 1545, the third in 1546, the fourth edition in 1548 and the fifth edition in 1550, each supplemented by new reports and details, text images, city views and maps and revised altogether. Little has been known about who - apart from the book printers Heinrich Petri and Sebastian Henricpetri - were responsible for the new editions after Münster's death. The 1628 edition was edited and expanded by the Basel theologian Wolfgang Meyer. With Cosmographia, Sebastian Münster has published for the first time a joint work by learned historians and artists, by publishers, wood cutters and engravers. The numerous vedute are usually made as woodcuts. Sebastian Münster obtained his knowledge from the travel reports and stories of various scholars, geographers, cartographers and sea travelers. Long after his death, "Kosmographie" was still a popular work with large editions: 27 German, 8 Latin, 3 French, 4 English and even 1 Czech editions appeared. The last edition appeared in Basel in 1650.

Historical Description

Ulm, founded around 850, is rich in history and traditions as a former Free Imperial City. At first, Ulm's significance was due to the privilege of a Königspfalz, a place of accommodation for the medieval German kings and emperors on their frequent travels. Later, Ulm became a city of traders and craftsmen. One of the most important legal documents of the city, an agreement between the Ulm patricians and the trade guilds (German: Großer Schwörbrief- in the Schwoerhouse), dates from 1397. This document, considered an early city constitution, and the beginning of the construction of an enormous church (Ulm Minster, 1377), financed by the inhabitants of Ulm themselves rather than by the church, demonstrate the assertiveness of Ulm's mediaeval citizens. Ulm blossomed during the 15th and 16th centuries, mostly due to the export of high-quality textiles. The city was situated at the crossroads of important trade routes extending to Italy. These centuries, during which many important buildings were erected, also represented the zenith of art in Ulm, especially for painters and sculptors like Hans Multscher and Jörg Syrlin the Elder.