Universelle Liure II, Description de l´Apouille. Item du commen cement du Royaulme de Neaples….

  • Translation

Article ID EUI2068

Title

Universelle Liure II, Description de l´Apouille. Item du commen cement du Royaulme de Neaples….

Description

Map shows total south Italy with Naples, on reverse shows a coat of arm.

Year

ca. 1550

Artist

Münster (1489-1552)

Sebastian Münsters (1489-1552) is one of the famous cosmographers of the Renaissance. Its real importance in the field of cartography is based on its famous cosmography, which he published in 1544 with 24 double-sided maps (including Moscow and Transylvania). The material for this came largely from research and the collection of information from around 1528, which he initially only wanted to use for a description of Germany, but was now sufficient for a map of the entire world and ultimately led to a cosmography. He constantly tried to improve this work, i.e. to replace or add to maps. In the edition of 1550, only 14 maps were taken over from the earlier editions. The 52 maps printed in the text were also only partially based on the old maps. The great success of this cosmography was also based on the precise work of the woodcuts mostly by Hans Holbein the Younger, Urs Graf, Hans Rudolph Deutsch and David Kandel. It was the first scientific and at the same time generally understandable description of the knowledge of the world in German, in which the basics of history and geography, astronomy and natural sciences, regional and folklore were summarized according to the state of knowledge at that time. Cosmography is the science of describing the earth and the universe. Until the late Middle Ages, geography, geology and astronomy were also part of it. The first edition of the Cosmographia took place in 1544 in German, printed in Heinrich Petri's office in Basel. Heinrich Petri was a son from the first marriage of Münster's wife to the Basel printer Adam Petri. Over half of all editions up to 1628 were also published in German. However, the work has also been published in Latin, French, Czech and Italian. The English editions all comprised only a part of the complete work. Viktor Hantzsch identified a total of 46 editions in 1898 (German 27; Latin 8; French 3; Italian 3; Czech 1) that appeared from 1544 to 1650, while Karl Heinz Burmeister only had 36 (German 21; Latin 5; French 6; Italian 3; Czech 1) that appeared between 1544 and 1628. The first edition from 1544 was followed by the second edition in 1545, the third in 1546, the fourth edition in 1548 and the fifth edition in 1550, each supplemented by new reports and details, text images, city views and maps and revised altogether. Little has been known about who - apart from the book printers Heinrich Petri and Sebastian Henricpetri - were responsible for the new editions after Münster's death. The 1628 edition was edited and expanded by the Basel theologian Wolfgang Meyer. With Cosmographia, Sebastian Münster has published for the first time a joint work by learned historians and artists, by publishers, wood cutters and engravers. The numerous vedute are usually made as woodcuts. Sebastian Münster obtained his knowledge from the travel reports and stories of various scholars, geographers, cartographers and sea travelers. Long after his death, "Kosmographie" was still a popular work with large editions: 27 German, 8 Latin, 3 French, 4 English and even 1 Czech editions appeared. The last edition appeared in Basel in 1650.

Historical Description

Southern Italy consists of today's Italian regions that belonged to the Kingdom of Sicily before the unification of Italy in 1861. These are the regions of Abruzzo, Molise, Campania, Basilicata, Apulia, Calabria and Sicily. The Romans used to call the area of Sicily and coastal Southern Italy Magna Graecia ("Great Greece"), since it was so densely inhabited by the Greeks; the ancient geographers differed on whether the term included Sicily or merely Apulia and Calabria—Strabo being the most prominent advocate of the wider definitions. With this colonisation, Greek culture was exported to Italy, in its dialects of the Ancient Greek language, its religious rites and its traditions of the independent polis. An original Hellenic civilization soon developed, later interacting with the native Italic and Latin civilisations. The most important cultural transplant was the Chalcidean/Cumaean variety of the Greek alphabet, which was adopted by the Etruscans; the Old Italic alphabet subsequently evolved into the Latin alphabet, which became the most widely used alphabet in the world. In 1442 Alfonso V conquered the Kingdom of Naples and united Sicily and Naples as dependencies of the Crown of Aragon. When he died in 1458, the kingdom was again separated and Naples was inherited by Ferrante, Alfonso's illegitimate son. When Ferrante died in 1494, Charles VIII invaded Italy from France and used Angevin's claim to the throne of Naples, inherited by his father in 1481 after the death of King René's nephew, as an excuse to start the Italian wars. A point of contention between France and Spain for the next several decades, but French efforts to gain control of it weakened over the decades and Spanish control was never really compromised. The French finally gave up their claims to the kingdom through the Treaty of Cateau-Cambrésis in 1559. With the Treaty of London (1557) the new client state of the so-called Presidi ("State of Garrisons") was founded and directly ruled by Spain as part of the Kingdom of Naples. After the War of the Spanish Succession in the early 18th century, possession of the kingdom again changed hands. Under the terms of the Treaty of Utrecht in 1713, Naples was given to Charles VI, the Holy Roman Emperor.

Place of Publication Basle
Dimensions (cm)24,5 x 15 cm
ConditionPerfect condition
Coloringoriginal colored
TechniqueWoodcut

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