Theatrum Veronese 1549

  • Translation

Article ID EUI4574

Title

Theatrum Veronese 1549

Description

Illustration of the Verona Arena in 1549, Roman amphitheater in the Italian city of Verona

Year

ca. 1550

Artist

Münster (1489-1552)

Sebastian Münsters (1489-1552) is one of the famous cosmographers of the Renaissance. Its real importance in the field of cartography is based on its famous cosmography, which he published in 1544 with 24 double-sided maps (including Moscow and Transylvania). The material for this came largely from research and the collection of information from around 1528, which he initially only wanted to use for a description of Germany, but was now sufficient for a map of the entire world and ultimately led to a cosmography. He constantly tried to improve this work, i.e. to replace or add to maps. In the edition of 1550, only 14 maps were taken over from the earlier editions. The 52 maps printed in the text were also only partially based on the old maps. The great success of this cosmography was also based on the precise work of the woodcuts mostly by Hans Holbein the Younger, Urs Graf, Hans Rudolph Deutsch and David Kandel. It was the first scientific and at the same time generally understandable description of the knowledge of the world in German, in which the basics of history and geography, astronomy and natural sciences, regional and folklore were summarized according to the state of knowledge at that time. Cosmography is the science of describing the earth and the universe. Until the late Middle Ages, geography, geology and astronomy were also part of it. The first edition of the Cosmographia took place in 1544 in German, printed in Heinrich Petri's office in Basel. Heinrich Petri was a son from the first marriage of Münster's wife to the Basel printer Adam Petri. Over half of all editions up to 1628 were also published in German. However, the work has also been published in Latin, French, Czech and Italian. The English editions all comprised only a part of the complete work. Viktor Hantzsch identified a total of 46 editions in 1898 (German 27; Latin 8; French 3; Italian 3; Czech 1) that appeared from 1544 to 1650, while Karl Heinz Burmeister only had 36 (German 21; Latin 5; French 6; Italian 3; Czech 1) that appeared between 1544 and 1628. The first edition from 1544 was followed by the second edition in 1545, the third in 1546, the fourth edition in 1548 and the fifth edition in 1550, each supplemented by new reports and details, text images, city views and maps and revised altogether. Little has been known about who - apart from the book printers Heinrich Petri and Sebastian Henricpetri - were responsible for the new editions after Münster's death. The 1628 edition was edited and expanded by the Basel theologian Wolfgang Meyer. With Cosmographia, Sebastian Münster has published for the first time a joint work by learned historians and artists, by publishers, wood cutters and engravers. The numerous vedute are usually made as woodcuts. Sebastian Münster obtained his knowledge from the travel reports and stories of various scholars, geographers, cartographers and sea travelers. Long after his death, "Kosmographie" was still a popular work with large editions: 27 German, 8 Latin, 3 French, 4 English and even 1 Czech editions appeared. The last edition appeared in Basel in 1650.

Historical Description

In ancient times, in northern Italy, unlike in southern Italy, there was hardly any Greek colonization. For the Roman Empire, Northern Italy was initially Gallia cisalpina. Since the Middle Ages, northern Italy has been characterized by remarkable trading cities, which, starting from the Veronese Confederation, united in the Lombardenbund against Emperor Barbarossa. At that time, some basics of business administration and banking, such as double-entry bookkeeping, were created in northern Italy. In pre-Roman centuries it was inhabited by different peoples among whom the Ligures, the ancient Veneti, who prospered through their trade in amber and breeding of horses, the Etruscans, who colonized Northern Italy from Tuscany, founded the city of Bologna and spread the use of writing; later, starting from the 5th century BC, the area was invaded by Celtic – Gallic tribes. These people founded several cities like Turin and Milan and extended their rule from the Alps to the Adriatic Sea. Their development was halted by the Roman expansion in the Po Valley from the 3rd century BC onwards. After centuries of struggle, in 194 BC the entire area of what is now Northern Italy became a Roman province with the name of Gallia Cisalpina ("Gaul on the inner side (with respect to Rome) of the Alps"). The Roman culture and language overwhelmed the former civilization in the following years, and Northern Italy became one of the most developed and rich areas of the western half of the empire with the construction of a wide array of roads and the development of agriculture and trade. After the fall of the Western Empire, Northern Italy suffered heavily from destruction brought about by migration from Germanic peoples and from the Gothic War. In the 10th century Northern Italy was formally under the rule of the Holy Roman Empire but was in fact divided in a multiplicity of small, autonomous city-states, the medieval communes and maritime republic. The 11th century marked a significant boom in Northern Italy's economy, due to improved trading and agricultural innovations, culture flourished as well with many universities founded, among them the University of Bologna, the oldest university in Europe. In the end a balance of power was reached in 1454 with the Peace of Lodi and Northern Italy ended up divided between a small number of regional states, the most powerful were the Duchies of Savoy, Milan, Mantua, Ferrara and the Republics of Genoa and Venice, which had begun to extend its influence in the mainland from the 14th century onwards. In the 15th century Northern Italy became one of the centres of the Renaissance whose culture and works of art were highly regarded. After the French Revolution in the late 18th century Northern Italy was conquered by the French armies, many client republics were created by Napoleon and in 1805 a new Kingdom of Italy, made of all of Northern Italy but Piedmont that was annexed to France, was established with Milan as capital and Napoleon as head of state. In the congress of Vienna, the Kingdom of Sardinia was restored, and furthermore enlarged by annexing the Republic of Genoa to strengthen it as a barrier against France. The rest of Northern Italy was under Austrian rule, either direct like in the Lombardo-Venetian Kingdom or indirect like in the Duchies of Parma and Modena. Bologna and Romagna were given to the Papal State.

Place of Publication Basle
Dimensions (cm)23 x 36,5 cm
ConditionPerfect condition
Coloringoriginal colored
TechniqueWoodcut

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