Pyramides Aegyptiae, miraculum mundi tertium. Les Pyramides de l’Egypte, troifiéme miracle du Monde.

Title

Pyramides Aegyptiae, miraculum mundi tertium. Les Pyramides de l’Egypte, troifiéme miracle du Monde.

Description

Map shows the pyramides of Egypt. The Giza pyramid complex, also called the Giza Necropolis, is an archaeological site on the Giza Plateau, on the outskirts of Cairo, Egypt. Consisting of a necropolis or mortuary complex of the Fourth Dynasty of the Old Kingdom of Ancient Egypt, it includes the three Great Pyramids (Khufu/Cheops, Khafre/Chephren and Menkaure/Mykerinos), the Great Sphinx, several cemeteries, a workers' village and an industrial complex. It is located in the Western Desert. The pyramids of the complex have historically been common as emblems of ancient Egypt in the Western imagination, were popularised in Hellenistic times, when the Great Pyramid was listed by Antipater of Sidon as one of the Seven Wonders of the World. It is by far the oldest of the ancient Wonders and the only one still in existence.

ca. 1760

Artist

Probst (1732-1801)

Georg Balthasar Probst (1732–1801), Georg Balthasar Probst was a German artist, engraver and publisher in Augsburg, a major European publishing center in the 17th and 18th centuries. He produced architectural views of places around the world intended as vues d’optiques, which were published in various places during the last half of the 18th century, including Paris, Augsburg and London. He was also known for his portraits. Probst came from an extended family of printers, whose businesses can all be traced back to the publishing firm of Jeremias Wolff (1663-1724). After Wolff's death his firm was continued as “Wolff’s Heirs” (Haeres Jer. Wolffii) by his son-in-law Johann Balthasar Probst (1689-1750). After Probst’s death in 1750, his descendants divided the business and published under their own imprints: Johann Friedrich Probst (1721-1781), Georg Balthasar Probst (1732-1801) and Johann Michael Probst. Another part of the Wolff-Probst firm was acquired by the Augsburg publisher Johann Georg Hertel (1700-1775), whose son Georg Leopold Hertel had married a sister of the Probsts. In the next generation, Georg Mathäus Probst (d. 1788), son of Georg Balthasar Probst, also became an engraver of portraits and views.

Historical Description

Cairo's significance really changed in the 19th century with the emergence of the Khedive Empire. Ismail Pasha, who ruled between 1863 and 1879, had numerous buildings erected in the city and took the opening of the Suez Canal in 1869 as an opportunity to present Cairo to the European powers as a flourishing metropolis. However, most of the development was financed by foreign loans, which increased Britain's influence in particular. During the reign of Ismail Pasha, Cairo, which now became the capital again, expanded westwards across the Nile. European architects were commissioned to renovate the city, the residential districts of Zamalek and Muhandisin were built, but large parts of today's city center also date from this period. As Egypt's industrialization accelerated, the country's capital continued to grow. By the end of the 19th century, Egypt's foreign debt and the weakness of the Ottoman Empire resulted in growing European influence in Cairo. With the occupation of Egypt by British troops and the crushing of the Urabi movement (1881-1882), Great Britain took control of the country without ending its formal affiliation with the Ottoman Empire. The Khediv of Egypt remained formally a vassal of the Ottomans. The Urabi movement emerged in the fall of 1881 when, following the financial ruin of Egypt under Ismail Pasha, the country came under international financial control. The movement opposed this international control of financial and economic policy and the autocratic rule of the Muhammad Ali dynasty.