Japonia / Japon ou Japan Isle.

Title

Japonia / Japon ou Japan Isle.

Description

The map depicts the whole of Japan and Korea and features a title cartouche, a mileage cartouche, a sea monster, and two sailing ships. Published in Mercator and Hondius's Atlas Sive Cosmographica, the map is based on the cartography of Abraham Ortelius.

ca. 1613

Artist

Hondius Hendrik (1597-1650)

Jodocus Hondius (1563 –1612) was a Dutch engraver, and cartographer. He is best known for his early maps of the New World and Europe, for re-establishing the reputation of the work of Gerard Mercator, and for his portraits of Francis Drake. He helped establish Amsterdam as the center of cartography in Europe in the 17th century. He was born in Wakken and grew up in Ghent. In his early years he established himself as an engraver, instrument maker and globe maker. In 1584 he moved to London to escape religious difficulties in Flanders. While in England, Hondius was instrumental in publicizing the work of Francis Drake, who had made a circumnavigation of the world in the late 1570s. In particular, in 1589 Hondius produced a now famous map of the bay of New Albion, where Drake briefly established a settlement on the west coast of North America. Hondius' map was based on journal and eyewitness accounts of the trip and has long fueled speculation about the precise location of Drake's landing, which has not yet been firmly established by historians. Hondius is also thought to be the artist of several well-known portraits of Drake that are now in the National Portrait Gallery in London. In 1593 he moved to Amsterdam, where he remained until the end of his life. In co-operation with the Amsterdam publisher Cornelis Claesz. in 1604 he purchased the plates of Gerard Mercator's Atlas from Mercator's grandson. Mercator's work had languished in comparison to the rival Theatrum Orbis Terrarum by Ortelius. Hondius republished Mercator's work with 36 additional maps, including several which he himself had produced. Despite the addition of his own contributions, Hondius gave Mercator full credit as the author of the work, listing himself as the publisher. Hondius' new edition of Mercator's work was a great success, selling out after a year. Hondius later published a second edition, as well as a pocket version Atlas Minor. The maps have since become known as the ""Mercator/Hondius series"" . In the French edition of the Atlas Minor we find one of the first instances of a thematic map using map symbols. This is a map entitled Designatio orbis christiani (1607) showing the dispersion of major religions. Between 1605 and 1610 he was employed by John Speed to engrave the plates for Speed's The Theatre of the Empire of Great Britaine. Hondius died, aged 48, in Amsterdam. After his death, his publishing work in Amsterdam was continued by his widow, two sons, Jodocus II and Henricus, and son-in-law Johannes Janssonius, whose name appears on the Atlas as co-publisher after 1633. Eventually, starting with the first 1606 edition in Latin, about 50 editions of the Atlas were released in the main European languages. In the Islamic world, the atlas was partially translated by the Turkish scholar Katip Çelebi. The series is sometimes called the ""Mercator/Hondius/Janssonius"" series because of Janssonius's later contributions.

Historical Description

In the 16th century, Portuguese traders and Jesuit missionaries first reached Japan and initiated direct commercial and cultural exchanges between Japan and the West. Oda Nobunaga used European technology and firearms to conquer many other daimyos. His power consolidation began in the so-called Azuchi Momoyama period. After Nobunaga's death in 1582, his successor Toyotomi Hideyoshi unified the nation in the early 1590s and launched two unsuccessful invasions of Korea in 1592 and 1597. He was appointed Shogun by Emperor Go-Yōzei in 1603 and founded the Tokugawa Shogunate in Edo (modern Tokyo). The shogunate enacted measures such as the Buk-Shohatto code of conduct to control the autonomous daimyōs and in 1639 the isolationist sakoku ("closed country") policy, which spanned two and a half centuries of weak political unity known as the Edo period (1603-1868) . During the isolation of Japan in the Edo period, entry and exit for Japanese and foreigners were prohibited. With the exception of limited exchanges with China and the Netherlands, who were the only Europeans allowed to stay in Japan on the artificial island of Dejima off Nagasaki in 1639, there was hardly any contact with other states. The Tokugawa family retained control of the other daimyo for over 250 years. This period was marked by great prosperity for the Japanese people. The population grew steadily. Today's Tokyo grew into the largest metropolitan area in the world during this time. The economic growth of modern Japan began during this period, leading to road and water transport routes, as well as financial instruments such as futures, banks, and insurance for the Osaka rice brokers. The study of western sciences (Rangaku) continued through contact with the Dutch enclave in Nagasaki. The Edo period led to Kokugaku ("National Studies"), the study of Japan by the Japanese. In 1854, Commodore Matthew Perry and the "Black Ships" of the United States Navy forced the opening of Japan to the outside world with the Kanagawa Convention. Later similar treaties with other Western countries brought economic and political crises with them. The cabinet took over Western political, judicial and military institutions, organized the privy council, introduced the Meiji constitution and assembled the Reichstag.