Biscaia et Guipuscoa Cantabriae veteris pars.

  • Translation

Article ID EUE1968

Title

Biscaia et Guipuscoa Cantabriae veteris pars.

Description

Map shows the entire Biscay, three sailing ship staffages, the coat of arms of the Señorío de Vizcaya, wind rose, a mileage indicator and title cartouche.

Year

ca. 1635

Artist

Blaeu (1571-1638)

Joan Guilliemus Blaeu was the eldest son of Willem Janszoon Blaeu (1571-1638), and was probably born in Alkmaar in the province of Noord-Holland in the final years of the 16th century. He was brought up in Amsterdam, and studied law at the University of Leiden before going into partnership with his father in the 1630s. Although his father Willem had cartographic interests, having studied under the Danish astronomer Tycho Brahe and having manufactured globes and instruments, his primary business was as a printer. It was under the control of Joan that the Blaeu printing press achieved lasting fame by moving towards the printing of maps and expanding to become the largest printing press in Europe in the 17th century. By the 1660s the Theatrum Orbis Terrarum (or Atlas Maior as it had became known by this time) had expanded to between 9 and 12 volumes, depending on the language. With over 3,000 text pages and approximately 600 maps, it was the most expensive book money could buy in the later 17th century. The translation of the text from Latin into Dutch, English, German, French, and Spanish for several volumes created enormous work for those involved in typography and letterpress activities. It is estimated that over 80 men must have been employed full-time in the Blaeu printing house in Bloemgracht, not including engravers who worked elsewhere, with over 15 printing presses running simultaneously, and in 1667 a second press was acquired at Gravenstraat. At the same time as producing the Atlas Maior, Blaeu was also publishing town plans of Italy, maps for globes, and other volumes. At its peak the Blaeu press managed to produce over 1 million impressions from 1,000 copper plates within four years.

Historical Description

In the early 8th century, the Moors destroyed the Visigoth Empire and conquered the entire Iberian Peninsula. Their centuries of rule shaped the country. The Arabic heritage was reflected in both the architecture and the language. However, the Moors were unable to establish themselves permanently in the northern outskirts of the peninsula. From there the "Reconquest" (Reconquista) started. In this process, which spanned several centuries (722–1492) and was not continuous, the Muslim empires were gradually pushed back by the Christian empires until the fall of Granada in 1492, the last Moorish state structure on the peninsula also disappeared. In the 15th century, the kingdoms of Castile and Aragon were united. Aragon was an important maritime power in the Mediterranean at that time. The Spanish colonial empire extended around 1600 across large parts of South and Central America, the southern part of today's USA and the Philippines. As the English and French also intensified their colonial efforts, Spain gradually lost its supremacy. The liberation wars of the American states, particularly the Mexican and South American wars of independence in the early 19th century, brought independence to most of the colonies. In 1898, the last major properties were lost to the United States during the Spanish-American War, which meant the end of the colonial empire. The African colonies that followed later (Spanish-Morocco, Spanish-Sahara and Equatorial Guinea) finally became independent in the 20th century.

Place of Publication Amsterdam
Dimensions (cm)38 x 49,5 cm
ConditionPerfect condition
Coloringoriginal colored
TechniqueCopper print

Reproduction:

73.50 €

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