Vorrede Sebastiani Munsteri/in das Buch der Cosmographen oder Weltbeschreibung.

Title

Vorrede Sebastiani Munsteri/in das Buch der Cosmographen oder Weltbeschreibung.

Preface by Sebastian Münster from his book of the famous Cosmographia. Back with final ornament.

ca. 1550

Artist

Münster (1489-1552)

Sebastian Münster (1489–1552) was a leading Renaissance cosmographer. His most famous work, the Cosmographia (1544), was a comprehensive description of the world with 24 maps, based on research dating back to 1528. Continuously revised, the 1550 edition already included many new maps. It was the first scientific yet accessible world description published in German, illustrated with numerous woodcuts by artists such as Hans Holbein the Younger. Between 1544 and 1650, the Cosmographia appeared in 46 editions (27 in German) and was translated into several languages. Münster’s work combined the knowledge of scholars, artists, and travelers and remained influential long after his death.

Historical Description

The title page is one of the most important parts of an atlas or book. It appears at the beginning of the book and describes the actual title and the context or subject of the book or atlas. The title page often shows the title of the work, the person or institution responsible for its intellectual content, and the imprint, which includes the name and address of the publisher as well as the date of publication. Further information about the publication is often printed on the back of the title page.The first printed books or incunabula had no title pages: the text simply began on the first page, and the book was often identified by its opening words – the incipit. Maps were usually published in atlases, and atlases were books with titles. Even here, title pages were individual works of art. A publisher emphasized the importance of a book by introducing it with a spectacular entrée.Usually, the images on an atlas title page referred to the subject matter: measuring instruments, mythological, astronomical, religious, scientific, and allegorical references and facts were combined in a composition that represented the pride of scientific and intellectual progress. An atlas title page is often no more than an outstanding artistic and expressive cartouche.