Vorrede Sebastiani Munsteri/in das Buch der Cosmographen oder Weltbeschreibung.

Title

Vorrede Sebastiani Munsteri/in das Buch der Cosmographen oder Weltbeschreibung.

Description

Preface by Sebastian Münster from his book of the famous Cosmographia. Back with final ornament.

ca. 1550

Artist

Münster (1489-1552)

Sebastian Münsters (1489-1552) is one of the famous cosmographers of the Renaissance. Its real importance in the field of cartography is based on its famous cosmography, which he published in 1544 with 24 double-sided maps (including Moscow and Transylvania). The material for this came largely from research and the collection of information from around 1528, which he initially only wanted to use for a description of Germany, but was now sufficient for a map of the entire world and ultimately led to a cosmography. He constantly tried to improve this work, i.e. to replace or add to maps. In the edition of 1550, only 14 maps were taken over from the earlier editions. The 52 maps printed in the text were also only partially based on the old maps. The great success of this cosmography was also based on the precise work of the woodcuts mostly by Hans Holbein the Younger, Urs Graf, Hans Rudolph Deutsch and David Kandel. It was the first scientific and at the same time generally understandable description of the knowledge of the world in German, in which the basics of history and geography, astronomy and natural sciences, regional and folklore were summarized according to the state of knowledge at that time. Cosmography is the science of describing the earth and the universe. Until the late Middle Ages, geography, geology and astronomy were also part of it. The first edition of the Cosmographia took place in 1544 in German, printed in Heinrich Petri's office in Basel. Heinrich Petri was a son from the first marriage of Münster's wife to the Basel printer Adam Petri. Over half of all editions up to 1628 were also published in German. However, the work has also been published in Latin, French, Czech and Italian. The English editions all comprised only a part of the complete work. Viktor Hantzsch identified a total of 46 editions in 1898 (German 27; Latin 8; French 3; Italian 3; Czech 1) that appeared from 1544 to 1650, while Karl Heinz Burmeister only had 36 (German 21; Latin 5; French 6; Italian 3; Czech 1) that appeared between 1544 and 1628. The first edition from 1544 was followed by the second edition in 1545, the third in 1546, the fourth edition in 1548 and the fifth edition in 1550, each supplemented by new reports and details, text images, city views and maps and revised altogether. Little has been known about who - apart from the book printers Heinrich Petri and Sebastian Henricpetri - were responsible for the new editions after Münster's death. The 1628 edition was edited and expanded by the Basel theologian Wolfgang Meyer. With Cosmographia, Sebastian Münster has published for the first time a joint work by learned historians and artists, by publishers, wood cutters and engravers. The numerous vedute are usually made as woodcuts. Sebastian Münster obtained his knowledge from the travel reports and stories of various scholars, geographers, cartographers and sea travelers. Long after his death, "Kosmographie" was still a popular work with large editions: 27 German, 8 Latin, 3 French, 4 English and even 1 Czech editions appeared. The last edition appeared in Basel in 1650.

Historical Description

The title page is one of the most important parts of an atlas or book. It appears at the beginning of the book and describes the actual title and the context or subject of the book or atlas. The title page often shows the title of the work, the person or institution responsible for its intellectual content, and the imprint, which includes the name and address of the publisher as well as the date of publication. Further information about the publication is often printed on the back of the title page.The first printed books or incunabula had no title pages: the text simply began on the first page, and the book was often identified by its opening words – the incipit. Maps were usually published in atlases, and atlases were books with titles. Even here, title pages were individual works of art. A publisher emphasized the importance of a book by introducing it with a spectacular entrée.Usually, the images on an atlas title page referred to the subject matter: measuring instruments, mythological, astronomical, religious, scientific, and allegorical references and facts were combined in a composition that represented the pride of scientific and intellectual progress. An atlas title page is often no more than an outstanding artistic and expressive cartouche.