Statuum totius Italiae novißima repraesentatio geographica simul exhibens Insulas Siciliae Sardiniae Corsicae et Maltae

  • Translation

Article ID EUI4152

Title

Statuum totius Italiae novißima repraesentatio geographica simul exhibens Insulas Siciliae Sardiniae Corsicae et Maltae

Description

Inset part of the famous map of total Italy from Homann showing Sardignia with a decorative title cartouche.

Year

ca. 1710

Artist

Homann (1664-1724)

Johann Babtiste Homann (1664-1724), Nuremberg, was born in Oberkammlach, the Electorate of Bavaria. Although educated at a Jesuit school, and preparing for an ecclesiastical career, he eventually converted to Protestantism and from 1687 worked as a civil law notary in Nuremberg. He soon turned to engraving and cartography; in 1702 he founded his own publishing house. Homann acquired renown as a leading German cartographer, and in 1715 was appointed Imperial Geographer by Emperor Charles VI. Giving such privileges to individuals was an added right that the Holy Roman Emperor enjoyed. In the same year he was also named a member of the Prussian Academy of Sciences in Berlin. Of particular significance to cartography were the imperial printing privileges (Latin: privilegia impressoria). These protected for a time the authors in all scientific fields such as printers, copper engravers, map makers and publishers. They were also very important as a recommendation for potential customers. In 1716 Homann published his masterpiece Grosser Atlas ueber die ganze Welt (Grand Atlas of all the World). Numerous maps were drawn up in cooperation with the engraver Christoph Weigel the Elder, who also published Siebmachers Wappenbuch. Homann died in Nuremberg. He was succeeded by the Homann heirs company, which was in business until 1848. The company was known as Homann Erben, Homanniani Heredes, or Heritiers de Homann abroad.

Historical Description

The central location of Sicily in the Mediterranean Sea has shaped the eventful history of this island. As bases for seafaring and trade, the cities of Sicily have always had great importance. Time and again, therefore, new conquerors seized the island, stayed, mixed with the already resident population and left their mark on the culture of Sicily. Only rarely was the island politically independent, mostly it was ruled by empires or states that had their political center elsewhere. From about 800 B.C. began the period of colonization by Phoenicians, mainly from the Phoenician planting city of Carthage, and somewhat later by Greeks, for whom Sicily became part of Greater Greece. In 264 BC, a Roman army crossed into Sicily, triggering a war with the Carthaginians that resulted in heavy losses. By late antiquity, Sicily was largely Romanized. After the fall of the Western Roman Empire in the late 5th century, Sicily was first dominated by the Vandals and Ostrogoths and became part of the Eastern Roman-Byzantine Empire in the mid-6th century. The first attempt at Christian reconquest of the island was still a Byzantine initiative; the imperial commander Georgios Maniakes conquered Messina in 1038 and Syracuse in 1040. Now Sicily experienced another period of prosperity and became an independent kingdom in 1130. A symbiosis of Byzantine, Arab and Norman traditions produced many important works of art. Thereafter, Sicily again fell under the control of other powers: Aragon, Spain, Savoy and Austria followed one another. With the unification of Italy, which began with Garibaldi's invasion of Sicily, Sicily became part of the new Kingdom of Italy in 1861.

Place of Publication Nuremberg
Dimensions (cm)22 x 23 cm
ConditionPerfect
Coloringoriginal colored
TechniqueCopper print

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