Prospectus Pontis novi, versus Palatium Regii Parisiensis../Die neue Bruck sehende gegen dem königl. Papast zu Paris

  • Translation

Article ID EUF2983

Title

Prospectus Pontis novi, versus Palatium Regii Parisiensis../Die neue Bruck sehende gegen dem königl. Papast zu Paris

Description

Splendourful view of Paris with the New bridge, ships representation on the river Seine and all important buildings.

Year

ca. 1740

Artist

Probst (1721-1781)

Georg Balthasar Probst (1732–1801), Georg Balthasar Probst was a German artist, engraver and publisher in Augsburg, a major European publishing center in the 17th and 18th centuries. He produced architectural views of places around the world intended as vues d’optiques, which were published in various places during the last half of the 18th century, including Paris, Augsburg and London. He was also known for his portraits. Probst came from an extended family of printers, whose businesses can all be traced back to the publishing firm of Jeremias Wolff (1663-1724). After Wolff's death his firm was continued as “Wolff’s Heirs” (Haeres Jer. Wolffii) by his son-in-law Johann Balthasar Probst (1689-1750). After Probst’s death in 1750, his descendants divided the business and published under their own imprints: Johann Friedrich Probst (1721-1781), Georg Balthasar Probst (1732-1801) and Johann Michael Probst. Another part of the Wolff-Probst firm was acquired by the Augsburg publisher Johann Georg Hertel (1700-1775), whose son Georg Leopold Hertel had married a sister of the Probsts. In the next generation, Georg Mathäus Probst (d. 1788), son of Georg Balthasar Probst, also became an engraver of portraits and views.

Historical Description

The ancient name of the city was Lutetia (also: Lutezia). Lutetia developed since the middle of the 3rd century BC from the Celtic settlement Lutetia of the Parisii tribe on the Seine island, which today is called île de la Cité. The city became known in the Roman Empire as Civitas Parisiorum or Parisia, but initially remained quite insignificant in occupied Gaul. In the 4th century, the present name of the city prevailed. In the 5th century, Roman rule was ended by the Merovingians. In 508 Paris became the capital of the Merovingian Empire under Clovis I (466-511). The Capetians made Paris the capital of France. Philip II. Augustus (1165-1223) had the city fortified. In 1190 a wall was built on the right bank of the Seine and in 1210 a rampart on the left bank. The Sorbonne in the south of Paris developed from several small schools.During the Huguenot Wars between 1562 and 1598, the city remained in Catholic possession. Thousands of Huguenots were murdered in Paris on the Night of St. Bartholomew in August 1572. At the instigation of Louis XIV (1638-1715), street lights were installed and the water supply was modernized. Paris remained the political center of France, due to its large population and its leading economic role in the country. When the French Revolution broke out in 1789, it was the population of Paris that paved the way for the abolition of the monarchy and the establishment of the first French Republic. Paris hosted six world expositions in 1855, 1867, 1878, 1889, 1900 and 1937, which underlined the cultural and political importance of the city. During the Second Empire, under the Prefect of Paris Haussmann, major transformations of the city took place, which still characterize the cityscape today. Paris experienced an economic and cultural heyday during the Belle Époque period of the Third Republic before 1914. In 1921, Paris reached a population of around 2.9 million, the highest in its history to this day.

Place of Publication Augsburg
Dimensions (cm)31 x 40,5 cm
ConditionLeft margin replaced
Coloringoriginal colored
TechniqueCopper print

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