Adina Sommer`s Rare Antique Maps and Contemporary Art

Persici sive Sophorum Regni Typus

  • Translation

Article ID ASA195
Artist Ortelius (1527-1598)
Abraham Ortelius, (1527 - 1598) Antwerp, comes from an Augsburg family and was born in Antwerp, Spain, where he lived throughout his life. After thorough training, he joined the Antwerp Guild of St. Luke in 1547 as a card painter. In 1554 he took over an antiquarian bookshop that mainly deals with the coloring, distribution and publishing of maps. Basically he is more of a publisher than a scholar. And so he also made the acquaintance of another great man of his time, Gerhard Mercator (1512-1594), who encouraged him to draw cards and to make maps of the most varied of countries. His first cartographic work of his own is a large 8-sheet map of the world that appears in Antwerp in 1564. This is followed by a two-sheet map of Egypt (1565) and another of Asia (1567). The great achievement of Ortelius, who was one of the most famous European cartographers of his time, and the enthusiastic reception of his theater, mark a decisive turning point in the history of the world map. The new path is mapped out with the Theatrum. For the general view of the world, the appearance of Ortelius-Theatrum is important insofar as it emphatically confirms that America is a completely independent continent, which is also not connected to the Asian mainland mass at its northern tip. Ortelius was the first to come up with the idea of ​​producing a handy collection of reliable maps, all kept in the same format and only by the same author for each country. These sheets could also be bound into a book for easy storage and use. Mercator, who also realized the idea of ​​a world atlas from 1569, persuaded his friend to publish the famous Theatrum Orbis Terrarrum. Ortelius collected, traveled, corresponded and negotiated for 10 years before he could have his work printed in the best European printing house (Plantijn / Amsterdam). In addition to technical difficulties, Ortelius had to submit to the political / religious conditions, since maps were also subject to strict scrutiny during the Inquisition. Biblical scenes are pleasant, portraits of outstanding Catholics are welcome, but not family coats of arms or other emblems that could be politically suspect. On May 20, 1570, his first edition of the Theatrum Orbis Terrarum, the first collection of maps in book form, was published, financed and edited by Gillis Hooftman, an Antwerp merchant, banker and shipowner. Atlases did not yet have this name at that time. This collection was published between 1570 and 1612 in 42 editions and in 7 languages: Latin, German, Dutch, French, Spanish, English and Italian. Unlike his professional colleagues, he clearly referenced the sources of his maps and texts. The work contains, among other things, an illustration of the world known until 1492 and was therefore already looking back at the time the map was created.
Title Persici sive Sophorum Regni Typus
Year ca. 1580
Description map of the Persian Empire
The ancient empire of the Persians is referred to as the Persian Empire or Persian Empire, which at times extended from Thrace to north-west India and Egypt. It existed in different dimensions from about 550 to 330 BC. AD (Old Persian Empire of the Achaemenids) and from approx. 224 to 651 AD (New Persian Empire of the Sassanids). This name is a foreign name, as the native name has always been a variant of the term Iran. By the 1500s, Ismail I of Ardabil established the Safavid Empire,with his capital at Tabriz. Beginning with Azerbaijan, he subsequently extended his authority over all of the Iranian territories, and established an intermittent Iranian hegemony over the vast relative regions, reasserting the Iranian identity within large parts of Greater Iran. Iran was predominantly Sunni, but Ismail instigated a forced conversion to the Shia branch of Islam, spreading throughout the Safavid territories in the Caucasus, Iran, Anatolia, and Mesopotamia. As a result, modern-day Iran is the only official Shia nation of the world, with it holding an absolute majority in Iran and the Republic of Azerbaijan, having there the first and the second highest number of Shia inhabitants by population percentage in the world. Meanwhile, the centuries-long geopolitical and ideological rivalry between Safavid Iran and the neighboring Ottoman Empire led to numerous Ottoman–Iranian wars. The Safavid era peaked in the reign of Abbas I (1587–1629), surpassing their Turkish archrivals in strength, and making Iran a leading science and art hub in western Eurasia. The Safavid era saw the start of mass integration from Caucasian populations into new layers of the society of Iran, as well as mass resettlement of them within the heartlands of Iran, playing a pivotal role in the history of Iran for centuries onwards. Following a gradual decline in the late 1600s and the early 1700s, which was caused by internal conflicts, the continuous wars with the Ottomans, and the foreign interference (most notably the Russian interference), the Safavid rule was ended by the Pashtun rebels who besieged Isfahan and defeated Sultan Husayn in 1722. In 1729, Nader Shah, a chieftain and military genius from Khorasan, successfully drove out and conquered the Pashtun invaders. He subsequently took back the annexed Caucasian territories which were divided among the Ottoman and Russian authorities by the ongoing chaos in Iran. During the reign of Nader Shah, Iran reached its greatest extent since the Sasanian Empire, reestablishing the Iranian hegemony all over the Caucasus, as well as other major parts of the west and central Asia, and briefly possessing what was arguably the most powerful empire at the time.
Place of Publication Antwerp
Dimensions (cm)35 x 50
ConditionVery good
Coloringcolored
TechniqueCopper print

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