Adina Sommer`s Rare Antique Maps and Contemporary Art
|Hartmann Schedel (1440 -1515) settled in Nuremberg 1484. He published the famous Nuremberg Chronicle 1493, Schedel's library has been sold in 1552 to Hans Jacob Fugger. Schedel's Nuremberg Chronicle must have been one of the most popular of incunables, judging by the number of surviving copies. Some 800 copies of the Latin edition have been traced and 400 of the German. This is not surprising considering that this compilation of sacred and profaned history was the most elaborate printed book of its time, illustrated with more than 1800 woodcuts. Among these were a number of double-page city views, a folding map of the world and another of northern and central Europe. The text is an amalgam of legend, fancy and tradition interspersed with the occasional scientific fact or authentic piece of modern learning. Hartmann Schedel, a physician of Nuremberg, was the editor-in-chief; the printer was Anton Koberger, and among the designers the most famous were Michael Wolgemut and Hanns Pleydenwurff, masters of the Nuremberg workshop where Albrecht Durer served his apprenticeship. The first edition of the Nuremberg Chronicle in July 1493 was in Latin and there was a reprint with German text in December of the same year. World Map: His Ptolemaic world map with the figures simbolizing the three sons of Noah's: Sem, Ham and Jafet. The world map was included in the Chronicle of the Nuremberg physician, Hartmann Schedel to demonstrate the world after the Deluge. The hundreds of the woodcuts used for printing the illustrations of the famous German work were cut by Wolgemut and Pleydenwurff. The young Albrecht Dürer could contributed to the book as he apprenticed the Nuremberg printers. The panel to the left side, showing the monstrous races, is an illustration of the tales, fables and antique works, first of all Pliny the elder. Note that this panel is the best identification mark of our edition, there was another panel with the map of the 1493 edition.|
|Description||Representation of the city of Munich, first issued woodcut of the city, on revers prtrait of some royals.|
Munich- Munchen, the name of the city is derived from the Old/Middle High German term Munichen, meaning "by the monks". It derives from the monks of the Benedictine order who ran a monastery at the place that was later to become the Old Town of Munich; hence the monk depicted on the city's coat of arms. Munich was first mentioned in 1158. From 1255 the city was seat of the Bavarian Dukes. Black and gold — the colours of the Holy Roman Empire — have been the city's official colours since the time of Ludwig the Bavarian, when it was an imperial residence. Following a final reunification of the Wittelsbachian Duchy of Bavaria, previously divided and sub-divided for more than 200 years, the town became the country's sole capital in 1506. Catholic Munich was a cultural stronghold of the Counter-Reformation and a political point of divergence during the resulting Thirty Years' War, but remained physically untouched despite an occupation by the Protestant Swedes; as the townsfolk would rather open the gates of their town than risk siege and almost inevitable destruction. Like wide parts of the Holy Roman Empire, the area recovered slowly economically. Having evolved from a duchy's capital into that of an electorate (1623), and later a sovereign kingdom (1806), Munich has been a centre of arts, culture and science since the early 19th century.
|Place of Publication||Nuremberg|
|Dimensions (cm)||37,5 x 53|
|Condition||Restoration at centerfold,upper margin perfectly replaced|
( A reproduction can be ordered individually on request. )