Adina Sommer
Antique and Contemporary Art
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80797 München
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Adina Sommer`s Rare Antique Maps and Contemporary Art
Monachium regi suecorum certis contitionibus deditur
Original:
800.00 €
Enquiry
| Article ID | EUD2151 |
| Artist | Merian (1593-1650) |
| Matthäus Merian (1593 – 1650) , born in Basel, learned the art of copperplate engraving in Zurich and subsequently worked and studied in Strasbourg, Nancy, and Paris, before returning to Basel in 1615. The following year he moved to Frankfurt, Germany where he worked for the publisher Johann Theodor de Bry. He married his daughter, Maria Magdalena 1617. In 1620 they moved back to Basel, only to return three years later to Frankfurt, where Merian took over the publishing house of his father-in-law after de Bry's death in 1623. In 1626 he became a citizen of Frankfurt and could henceforth work as an independent publisher. He is the father of Maria Sibylla Merian, who later published her the famous and wellknown studies of flowers, insects and butterflies. | |
| Title | Monachium regi suecorum certis contitionibus deditur |
| Year | ca. 1646 |
| Description | Map shows the city of Munich when king Gustav Adolf of Sweden is entering the city and receiving the city key. Munich- Munchen, the name of the city is derived from the Old/Middle High German term Munichen, meaning "by the monks". It derives from the monks of the Benedictine order who ran a monastery at the place that was later to become the Old Town of Munich; hence the monk depicted on the city's coat of arms. Munich was first mentioned in 1158. From 1255 the city was seat of the Bavarian Dukes. Black and gold — the colours of the Holy Roman Empire — have been the city's official colours since the time of Ludwig the Bavarian, when it was an imperial residence. Following a final reunification of the Wittelsbachian Duchy of Bavaria, previously divided and sub-divided for more than 200 years, the town became the country's sole capital in 1506. Catholic Munich was a cultural stronghold of the Counter-Reformation and a political point of divergence during the resulting Thirty Years' War, but remained physically untouched despite an occupation by the Protestant Swedes; as the townsfolk would rather open the gates of their town than risk siege and almost inevitable destruction. Like wide parts of the Holy Roman Empire, the area recovered slowly economically. Having evolved from a duchy's capital into that of an electorate (1623), and later a sovereign kingdom (1806), Munich has been a centre of arts, culture and science since the early 19th century. |
| Place of Publication | Frankfurt on Main |
| Dimensions (cm) | 23,5 x 32,5 |
| Condition | Very good |
| Coloring | black/white |
| Technique | Copper print |
Reproduction:
120.00 €
( A reproduction can be ordered individually on request. )