Leibsigk

Title

Leibsigk

General view of the city of Leipzig in Saxony. On the back the coat of arms of the Margraviate of Meißen.

ca. 1550

Artist

Münster (1489-1552)

Sebastian Münster (1489–1552) was a leading Renaissance cosmographer. His most famous work, the Cosmographia (1544), was a comprehensive description of the world with 24 maps, based on research dating back to 1528. Continuously revised, the 1550 edition already included many new maps. It was the first scientific yet accessible world description published in German, illustrated with numerous woodcuts by artists such as Hans Holbein the Younger. Between 1544 and 1650, the Cosmographia appeared in 46 editions (27 in German) and was translated into several languages. Münster’s work combined the knowledge of scholars, artists, and travelers and remained influential long after his death.

Historical Description

The history of Leipzig was shaped by its importance as a trading center. Thanks to its favorable location at the intersection of trade routes and trade fair privileges, it already held an outstanding position in the trade in goods, and later also in the printing and book trade. Leipzig was never a royal seat or a bishopric and was always characterized by urban bourgeoisie. The University of Leipzig, founded in 1409, is one of the oldest universities in what is now the Federal Republic of Germany. Leipzig acquired the nickname "Little Paris" when the progressive trade fair city was equipped with street lighting in 1701 and from then on could be compared with the glamorous Seine metropolis. At the beginning of the 18th century, Georg Philipp Telemann studied in Leipzig and founded the Collegium musicum here. From 1723 until his death in 1750, Johann Sebastian Bach was employed by the city council as Thomaskantor and “Director musices” (head of all church music in the city). This is where u. a. the St. John Passion, the St. Matthew Passion, the Christmas Oratorio, the B minor Mass and the art of the fugue. In 1729 Bach took over the management of the Collegium Musicum, which until 1741 performed numerous of his secular cantatas and instrumental compositions in Zimmermann's coffee house.