Die Statt München. Theatrum Urbium.

Title

Die Statt München. Theatrum Urbium.

Decorative total view of the city of Munich, Bavaria, in the late 16th century.

ca. 1595

Artist

Münster (1489-1552)

Sebastian Münster (1489–1552) was a leading Renaissance cosmographer. His most famous work, the Cosmographia (1544), was a comprehensive description of the world with 24 maps, based on research dating back to 1528. Continuously revised, the 1550 edition already included many new maps. It was the first scientific yet accessible world description published in German, illustrated with numerous woodcuts by artists such as Hans Holbein the Younger. Between 1544 and 1650, the Cosmographia appeared in 46 editions (27 in German) and was translated into several languages. Münster’s work combined the knowledge of scholars, artists, and travelers and remained influential long after his death.

Historical Description

Munich- Munchen, the name of the city is derived from the Old/Middle High German term Munichen, meaning "by the monks". It derives from the monks of the Benedictine order who ran a monastery at the place that was later to become the Old Town of Munich; hence the monk depicted on the city's coat of arms. Munich was first mentioned in 1158. From 1255 the city was seat of the Bavarian Dukes. Black and gold — the colours of the Holy Roman Empire — have been the city's official colours since the time of Ludwig the Bavarian, when it was an imperial residence. Following a final reunification of the Wittelsbachian Duchy of Bavaria, previously divided and sub-divided for more than 200 years, the town became the country's sole capital in 1506. Catholic Munich was a cultural stronghold of the Counter-Reformation and a political point of divergence during the resulting Thirty Years' War, but remained physically untouched despite an occupation by the Protestant Swedes; as the townsfolk would rather open the gates of their town than risk siege and almost inevitable destruction. Like wide parts of the Holy Roman Empire, the area recovered slowly economically. Having evolved from a duchy's capital into that of an electorate (1623), and later a sovereign kingdom (1806), Munich has been a centre of arts, culture and science since the early 19th century.