Delineatio Eorum quae d. 19 Novemb. Anno 1658 ad Landscoronam..

Title

Delineatio Eorum quae d. 19 Novemb. Anno 1658 ad Landscoronam..

Description

Magnificently hand-colored illustration depicting the naval battle between the Dutch and Swedish fleets on November 19, 1658, in the Öresund. At the top, there is a title cartouche including an index, below which is a cartouche with a coat of arms and two (sea) putti. The print comes from Samuel Pufendorf's work 'De rebus a Carolo Gustavo...' which was published in Nuremberg in 1697.

ca. 1697

Artist

Dahlberg/Pufendorf (1625-1703)

Erik Jonsson Graf von Dahlberg (1625-1703) was a Swedish field marshal, architect and fortress builder. His artistically remarkable drawings for a large-scale copperplate engraving with views of Swedish places are of great topographical and architectural historical value. With a royal privilege, work on his main work began in 1661, a large geographical and historical depiction of the Swedish territories. 1667–1668 he traveled to Paris to have the first plates engraved for it. This work was temporarily suspended when in 1674 he was entrusted with responsibility for all Swedish fortress construction. It was not until 1684 that he continued work on the topography, now as the official publisher on behalf of the government. His main work, Suecia antiqua et hodierna, was first published in Stockholm in 1716 in three plate volumes with 354 copperplate engravings on 321 partly folded plates and with 13 pages of registers.

Historical Description

The art of war is the theory and practice of the preparation, conduct and execution of combat operations of various dimensions in all spheres, which emerged with the formation of war and the armed forces. The art of war includes more than just warfare. It is divided into three components according to the increasing scale of combat operations: tactics, operational art and strategy. The art of war emerged in the period of transition from the gentile order (The origin of the family, private property and the state) to the class society in a long historical process and developed in connection with the gradual formation of states and the military. It is connected with the politics of peoples, states, classes, nations and coalitions of alliances, as well as the armed forces, and the wars they fought and military theoretical thinking. The oldest European written records on warfare date from the time of the Trojan War (ca. 1300 BCE), namely from Homer's work Iliad. The process of development towards the art of war intensified in the 5th/4th century B.C.E. in the countries of the Near East and North Africa, and continued in Europe for centuries until the 5th century B.C.E. The term art of war first appeared in European military writings in the 16th/17th century. It referred to the activity of the commander in war. Between 1519 and 1520, Niccolò Machiavelli wrote The Art of War or Dell'arte della guerra, which mainly describes military affairs and reports on tactics, strategy and politics in feudal society. Until the 18th century, military affairs and the command of troops were often understood as a craft of war or art rather than a science. Principles and rules of the art of war in late feudal armies were reflected in the writings of the French marshals Henri de la Tour d`Auvergne, Vicomte de Turenne (1611-1675), and Sébastien Le Prestre de Vauban (1633-1707), the Austro-imperial generals Raimund von Montecuccoli (1609-1680) and Prince Eugene of Savoy (1663-1736), and the Prussian king Frederick II. and in the 17th/18th century. An outstanding representative of a new art of war was the French Emperor Napoleon I (1769-1821).