Civiattes orbis Terrarum

Title

Civiattes orbis Terrarum

Description

Title page from Civitattes orbis Terrarum.

ca. 1590

Artist

Braun/Hogenberg (1572-1618)

Frans Hogenberg (1535 – 1590) was a Flemish and German painter, engraver, and mapmaker. Hogenberg was born in Mechelen as the son of Nicolaas Hogenberg In 1568 he was banned from Antwerp by the Duke of Alva. He travelled to London, where he stayed a few years before emigrating to Cologne. He is known for portraits and topographical views as well as historical allegories. He also produced scenes of contemporary historical events. George Braun (1541-1622), a cleric of Cologne, was the principal editor of the "Civitates Orbis Terrarum". The first volume of the Civitates Orbis Terrarum was published in Cologne in 1572. The sixth and the final volume appeared in 1617. This great city atlas, edited by Georg Braun and largely engraved by Franz Hogenberg, eventually contained 546 prospects, bird-eye views and map views of cities from all over the world. Braun (1541-1622), a cleric of Cologne, was the principal editor of the work, and was greatly assisted in his project by the close, and continued interest of Abraham Ortelius, whose Theatrum Orbis Terrarum of 1570 was, as a systematic and comprehensive collection of maps of uniform style, the first true atlas.

Historical Description

The title page is one of the most important parts of an atlas or book. It appears at the beginning of the book and describes the actual title and the context or subject of the book or atlas. The title page often shows the title of the work, the person or institution responsible for its intellectual content, and the imprint, which includes the name and address of the publisher as well as the date of publication. Further information about the publication is often printed on the back of the title page.The first printed books or incunabula had no title pages: the text simply began on the first page, and the book was often identified by its opening words – the incipit. Maps were usually published in atlases, and atlases were books with titles. Even here, title pages were individual works of art. A publisher emphasized the importance of a book by introducing it with a spectacular entrée.Usually, the images on an atlas title page referred to the subject matter: measuring instruments, mythological, astronomical, religious, scientific, and allegorical references and facts were combined in a composition that represented the pride of scientific and intellectual progress. An atlas title page is often no more than an outstanding artistic and expressive cartouche.