Adina Sommer
Antique and Contemporary Art
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Cairus, Aros ovae olim Babylon Aegypt…
Article ID | AF037 |
Title | Cairus, Aros ovae olim Babylon Aegypt… |
Description | Bird's-eye view of the Egyptian city of Cairo on the Nile and the pyramids. There are also many figurative staffages and a cartouche with an index. |
Year | ca. 1574 |
Artist | Braun/Hogenberg (1572-1618) |
Frans Hogenberg (1535 – 1590) was a Flemish and German painter, engraver, and mapmaker. Hogenberg was born in Mechelen as the son of Nicolaas Hogenberg In 1568 he was banned from Antwerp by the Duke of Alva. He travelled to London, where he stayed a few years before emigrating to Cologne. He is known for portraits and topographical views as well as historical allegories. He also produced scenes of contemporary historical events. George Braun (1541-1622), a cleric of Cologne, was the principal editor of the "Civitates Orbis Terrarum". The first volume of the Civitates Orbis Terrarum was published in Cologne in 1572. The sixth and the final volume appeared in 1617. This great city atlas, edited by Georg Braun and largely engraved by Franz Hogenberg, eventually contained 546 prospects, bird-eye views and map views of cities from all over the world. Braun (1541-1622), a cleric of Cologne, was the principal editor of the work, and was greatly assisted in his project by the close, and continued interest of Abraham Ortelius, whose Theatrum Orbis Terrarum of 1570 was, as a systematic and comprehensive collection of maps of uniform style, the first true atlas. | |
Historical Description | Cairo's significance really changed in the 19th century with the emergence of the Khedive Empire. Ismail Pasha, who ruled between 1863 and 1879, had numerous buildings erected in the city and took the opening of the Suez Canal in 1869 as an opportunity to present Cairo to the European powers as a flourishing metropolis. However, most of the development was financed by foreign loans, which increased Britain's influence in particular. During the reign of Ismail Pasha, Cairo, which now became the capital again, expanded westwards across the Nile. European architects were commissioned to renovate the city, the residential districts of Zamalek and Muhandisin were built, but large parts of today's city center also date from this period. As Egypt's industrialization accelerated, the country's capital continued to grow. By the end of the 19th century, Egypt's foreign debt and the weakness of the Ottoman Empire resulted in growing European influence in Cairo. With the occupation of Egypt by British troops and the crushing of the Urabi movement (1881-1882), Great Britain took control of the country without ending its formal affiliation with the Ottoman Empire. The Khediv of Egypt remained formally a vassal of the Ottomans. The Urabi movement emerged in the fall of 1881 when, following the financial ruin of Egypt under Ismail Pasha, the country came under international financial control. The movement opposed this international control of financial and economic policy and the autocratic rule of the Muhammad Ali dynasty. |
Place of Publication | Cologne |
Dimensions (cm) | 33 x 49 cm |
Condition | Very good |
Coloring | original colored |
Technique | Copper print |
Reproduction:
120.00 €
( A reproduction can be ordered individually on request. )