Barbaria, Tunis capta et in christianorum poestatem redata a Carol, quinto anno 1535 at postea magna cum eorundem….

  • Translation

Article ID AF0203

Title

Barbaria, Tunis capta et in christianorum poestatem redata a Carol, quinto anno 1535 at postea magna cum eorundem….

Description

Map shows on 3 part map North Africa, The Bay around Tunis and the Nile Delta.

Year

ca. 1630

Artist

Hondius (1597-1650)

Jodocus Hondius (1563 –1612) was a Dutch engraver, and cartographer. He is best known for his early maps of the New World and Europe, for re-establishing the reputation of the work of Gerard Mercator, and for his portraits of Francis Drake. He helped establish Amsterdam as the center of cartography in Europe in the 17th century. He was born in Wakken and grew up in Ghent. In his early years he established himself as an engraver, instrument maker and globe maker. In 1584 he moved to London to escape religious difficulties in Flanders. While in England, Hondius was instrumental in publicizing the work of Francis Drake, who had made a circumnavigation of the world in the late 1570s. In particular, in 1589 Hondius produced a now famous map of the bay of New Albion, where Drake briefly established a settlement on the west coast of North America. Hondius' map was based on journal and eyewitness accounts of the trip and has long fueled speculation about the precise location of Drake's landing, which has not yet been firmly established by historians. Hondius is also thought to be the artist of several well-known portraits of Drake that are now in the National Portrait Gallery in London. In 1593 he moved to Amsterdam, where he remained until the end of his life. In co-operation with the Amsterdam publisher Cornelis Claesz. in 1604 he purchased the plates of Gerard Mercator's Atlas from Mercator's grandson. Mercator's work had languished in comparison to the rival Theatrum Orbis Terrarum by Ortelius. Hondius republished Mercator's work with 36 additional maps, including several which he himself had produced. Despite the addition of his own contributions, Hondius gave Mercator full credit as the author of the work, listing himself as the publisher. Hondius' new edition of Mercator's work was a great success, selling out after a year. Hondius later published a second edition, as well as a pocket version Atlas Minor. The maps have since become known as the ""Mercator/Hondius series"" . In the French edition of the Atlas Minor we find one of the first instances of a thematic map using map symbols. This is a map entitled Designatio orbis christiani (1607) showing the dispersion of major religions. Between 1605 and 1610 he was employed by John Speed to engrave the plates for Speed's The Theatre of the Empire of Great Britaine. Hondius died, aged 48, in Amsterdam. After his death, his publishing work in Amsterdam was continued by his widow, two sons, Jodocus II and Henricus, and son-in-law Johannes Janssonius, whose name appears on the Atlas as co-publisher after 1633. Eventually, starting with the first 1606 edition in Latin, about 50 editions of the Atlas were released in the main European languages. In the Islamic world, the atlas was partially translated by the Turkish scholar Katip Çelebi. The series is sometimes called the ""Mercator/Hondius/Janssonius"" series because of Janssonius's later contributions.

Historical Description

North Africa in the broader geographical sense is the area of the continent of Africa that includes the Sahara and the coastal strip to the north, west and east of the Mediterranean, the Atlantic and the Red Sea. Religiously, North Africa is mainly characterized by Islam, ethnically by Berbers, Moors and Arabs, in the southernmost area also Nubians, Amhars and Black Africans. The core states of North Africa include Morocco with the Western Sahara, Algeria, Tunisia (small Maghreb), Libya (Greater Maghreb), Egypt and Sudan. Especially during the ongoing desert phase, contacts between North and sub-Saharan Africa were therefore limited almost exclusively to trade along the east and west coasts of the continent and to certain routes where there were sufficient water points, due to the difficulties of crossing the world's largest sandy desert. At the same time, this meant ethnic separation, and although North African culture has both African and Middle Eastern roots, with the Berbers possibly even European. With antiquity in the narrower sense, the interests of the Mediterranean peoples, which had previously been focused primarily on Egypt and the Near East in terms of power politics, gradually changed. As so often in history, it was trade that paved new paths; and the first people to devote themselves entirely to Mediterranean trade, even to the neglect of their own state structures, were the Phoenicians, but the place in North Africa where territorial state structures did develop, at least to some extent, was Carthage. In the period between the destruction of Carthage and Rome taking control of the Maghreb, there was a brief flourishing of local kingdoms. Two largely sedentary ethnic groups, the Moors and Numidians, were of particular importance. After the victory over Carthage, Roman culture and, above all, Roman administration spread relatively quickly from east to west along the Atlas mountain ranges across the new territories in North Africa. The North African provinces quickly became economically central to the Roman Empire, and between the 1st and 4th centuries AD, Rome's survival actually depended on grain and olive supplies from there, as the climate in North Africa at that time was wetter than it is today. When the Romans took power in the Mediterranean, a development came to an end in the course of which North Africa in particular finally became part of the Mediterranean world.

Place of Publication Amsterdam
Dimensions (cm)35 x 46,5 cm
ConditionCenterfold mounted
Coloringoriginal colored
TechniqueCopper print

Reproduction:

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