Ansicht von Neu-Rheinstein sonst Vautsberg. / Vue de Nouveau-Rheinstein cidevant Vautsberg.

Title

Ansicht von Neu-Rheinstein sonst Vautsberg. / Vue de Nouveau-Rheinstein cidevant Vautsberg.

Description

Rheinstein Castle is a castle near the town of Trechtingshausen in Rhineland-Palatinate, Germany.
The castle was constructed in about 1316/1317. Rheinstein Castle was important for its strategic location. By 1344, the castle was in decline. By the time of the Palatine War of Succession, the castle was very dilapidated. During the romantic period in the 19th century, Prince Frederick of Prussia (1794–1863) bought the castle and it was rebuilt.

ca. 1835

Artist

Bodmer (1809-1893)

Johann Carl Bodmer, he was a Swiss-French printmaker, etcher, lithographer, zinc engraver, draughtsman, painter, illustrator and hunter. Known as Karl Bodmer in literature and paintings, as a Swiss and French citizen, his name was recorded as Johann Karl Bodmer and Jean-Charles Bodmer, respectively. He is best known in the United States as a painter who captured the American West of the 19th century. He is best known in the United States as a painter who captured the American West of the 19th century. Bodmer had 81 aquatints made from his work to illustrate Prince Maximilian's book entitled Maximilian Prince of Wied's Travels in the Interior of North America. By 1828, Bodmer had left his native Switzerland to work as a painter and engraver in the German city of Koblenz. It was there that he and his work came to the attention of Prinz Maximilian zu Wied-Neuwied. This German aristocrat had successfully led a scientific expedition to Brazil in 1815–1817. He decided to embark on another such venture, this time to North America and especially the American West. He hired Bodmer to accompany his expedition and make a visual record of the places and peoples encountered, through painting, drawings, etc. The aristocrat was known popularly to naturalists then and now as Prince Max. After delays, Bodmer, in the company of Prince Max and David Dreidoppel, a huntsman and taxidermist, sailed for North America on 17 May 1832. Arriving in Boston, Massachusetts, on 4 July, the three encountered hardships and delays caused largely by a cholera epidemic in the eastern states. It swept across the northern tier to Michigan via travelers on the waterways. The three men finally reached Pittsburgh, and started from there October 8 to travel west along the Ohio River. They arrived in Mt. Vernon, Indiana about midnight on 18 October. The next morning, the party made their way to New Harmony, Indiana. In April 1833, Prince Max and Bodmer set out from St. Louis, Missouri by steamboat and later keelboat up the Missouri River. Bodmer had extensively documented the journey with visual images, while Prince Max took copious notes for the book he intended to write.

Historical Description

Munich- Munchen, the name of the city is derived from the Old/Middle High German term Munichen, meaning "by the monks". It derives from the monks of the Benedictine order who ran a monastery at the place that was later to become the Old Town of Munich; hence the monk depicted on the city's coat of arms. Munich was first mentioned in 1158. From 1255 the city was seat of the Bavarian Dukes. Black and gold — the colours of the Holy Roman Empire — have been the city's official colours since the time of Ludwig the Bavarian, when it was an imperial residence. Following a final reunification of the Wittelsbachian Duchy of Bavaria, previously divided and sub-divided for more than 200 years, the town became the country's sole capital in 1506. Catholic Munich was a cultural stronghold of the Counter-Reformation and a political point of divergence during the resulting Thirty Years' War, but remained physically untouched despite an occupation by the Protestant Swedes; as the townsfolk would rather open the gates of their town than risk siege and almost inevitable destruction. Like wide parts of the Holy Roman Empire, the area recovered slowly economically. Having evolved from a duchy's capital into that of an electorate (1623), and later a sovereign kingdom (1806), Munich has been a centre of arts, culture and science since the early 19th century.