Americae pars sexta….
Americae pars sexta….
Titlepage from Theodor de Bry, travel to Amercia VI
Bry, de (1528-1598)
Theodorus de Bry (1528-1598) Frankfurt a.M. Around 1570, Theodorus de Bry, a Protestant, fled religious persecution south to Strasbourg, along the west bank of the Rhine. In 1577, he moved to Antwerp in the Duchy of Brabant, which was part of the Spanish Netherlands or Southern Netherlands and Low Countries of that time (16th Century), where he further developed and used his skills as a copper engraver. Between 1585 and 1588 he lived in London, where he met the geographer Richard Hakluyt and began to collect stories and illustrations of various European explorations, most notably from Jacques Le Moyne de Morgues. Depiction of Spanish atrocities in the New World, as recounted by Bartolome de las Casas in Narratio Regionum indicarum per Hispanos Quosdam devastatarum verissima. In 1588, Theodorus and his family moved permanently to Frankfurt-am-Main, where he became citizen and began to plan his first publications. The most famous one is known as Les Grands Voyages, i.e., The Great Travels, or The Discovery of America. He also published the largely identical India Orientalis-series, as well as many other illustrated works on a wide range of subjects. His books were published in Latin, and were also translated into German, English and French to reach a wider reading public. The two collections of travelogues published by Theodor de Bry in Frankfurt are among the most important of the early modern period and established his reputation for posterity: He created The Arrival of Columbus in the New World in 1594. The West Indian Voyages (ed. 1590-1618) chronicled the discovery and conquest of the Americas by Europeans, while the East Indian Voyages followed the rise of Holland as a trading power in Asia around 1600. Both series appeared in German and Latin, were intended for a European audience, and were richly illustrated with copper engravings. Theodor de Bry was only able to publish six parts of his complete works. After his death, his sons Johann Theodor and Johann Israel and then Johann Theodor's son-in-law Matthäus Merian continued the work until 1634. In the end, it contained 25 parts and over 1500 copper engravings. The brothers were succeeded as engravers and publishers by Sebastian Furck.
The title page is one of the most important parts of the "front matter" or "preliminaries" of a book, as the data on it and its verso (together known as the "title leaf") are used to establish the "title proper and usually, though not necessarily, the statement of responsibility and the data relating to publication".This determines the way the book is cited in library catalogs and academic references. The title page often shows the title of the work, the person or body responsible for its intellectual content, and the imprint, which contains the name and address of the book's publisher and its date of publication. Particularly in paperback editions it may contain a shorter title than the cover or lack a descriptive subtitle. Further information about the publication of the book, including its copyright information, is frequently printed on the verso of the title page. The first printed books, or incunabula, did not have title pages: the text simply begins on the first page, and the book is often identified by the initial words—the incipit—of the text proper. Maps were usually published in atlases. And atlases were books with titles. And, again, titles were individual pieces of art. A publisher emphazised the importance of a book he published with a spectacular entrée. Usually the pictures of an atlas title page pertained in general to the subject matter: Measuring instruments, mythologigal, astronomical, religious, scientific, allegorical hints and facts were united in a composition which depicted the pride of progress in knowledge. An atlas title page often is just one superb artistic and jubilant cartouche.
|Place of Publication||Frankfurt on Main|
|Dimensions (cm)||30 x 20|
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