Berta etas mudi Ulma

Title

Berta etas mudi Ulma

Splendid general view of the city of Ulm with the Ulm Cathedral. First published woodcut depiction of Ulm, reverse shows portraits of kings, etc.

ca. 1493

Artist

Schedel (1440-1515)

Hartmann Schedel (1440–1515) from Nuremberg is best known for the 1493 publication of the Schedel’s World Chronicle (Liber chronicarum), a universal history featuring 1,809 woodcuts—making it the most richly illustrated book of early printing. The chronicle, written in Latin by Schedel for merchants Sebald Schreyer and Sebastian Kammermeister, was translated into German by Georg Alt and printed by Anton Koberger. The illustrations came from the workshop of Michael Wolgemut and Wilhelm Pleydenwurff. The work covers world history up to 1492/93, divided into eight ages of the world, and draws on numerous sources, including Jacobus Foresta and Enea Silvio Piccolomini. Notably, it features highly accurate city views, many depicted in detail for the first time. Pleydenwurff introduced a new perspective by portraying cities from a fixed viewpoint, emphasizing their unique architectural and landscape features. The project was funded in part by the patron Sebald Schreyer.

Historical Description

Ulm, founded around 850, is rich in history and traditions as a former Free Imperial City. At first, Ulm's significance was due to the privilege of a Königspfalz, a place of accommodation for the medieval German kings and emperors on their frequent travels. Later, Ulm became a city of traders and craftsmen. One of the most important legal documents of the city, an agreement between the Ulm patricians and the trade guilds (German: Großer Schwörbrief- in the Schwoerhouse), dates from 1397. This document, considered an early city constitution, and the beginning of the construction of an enormous church (Ulm Minster, 1377), financed by the inhabitants of Ulm themselves rather than by the church, demonstrate the assertiveness of Ulm's mediaeval citizens. Ulm blossomed during the 15th and 16th centuries, mostly due to the export of high-quality textiles. The city was situated at the crossroads of important trade routes extending to Italy. These centuries, during which many important buildings were erected, also represented the zenith of art in Ulm, especially for painters and sculptors like Hans Multscher and Jörg Syrlin the Elder.