Täfelein Anzeigend den Weg, wie die Hollandische Flotta von dem Hafen zu Callao geschiffet nordenwarts biß hinden die Insel Piscadores 593

Article ID AMS0685

Title

Täfelein Anzeigend den Weg, wie die Hollandische Flotta von dem Hafen zu Callao geschiffet nordenwarts biß hinden die Insel Piscadores 593

Map shows on two inset maps the coast of Peru and the bay of the island Piscadores. De Bry’s Grand Voyages, an illustrated collection of accounts of the Americas, defined the early European picture of the New World. Printed by David Aubry in Hanau.

Year

ca. 1630

Artist

Bry, de - Merian (1528-1598)

In 1631, Matthäus Merian and Johann Ludwig Gottfried published Historia Antipodum, a heavily abridged, single-volume version of Theodor De Bry’s 14-part America series. After De Bry’s death, his sons continued the project. Merian, a skilled engraver, later married De Bry’s daughter and collaborated with Gottfried. The Historia Antipodum reorganized numerous travel accounts into three chapters covering nature, exploration, and recent colonial developments. Merian and Gottfried significantly reworked the content, merging reports and integrating illustrations into the text. Their depiction of the natural world and Indigenous cultures—drawing in part on José de Acosta’s writings—was particularly influential. The book stands as one of the most ambitious works of early modern travel literature.

Historical Description

Cusco was long an important center of indigenous people. It was the capital of the Inca Empire (13th century – 1532). Many believe that the city was planned as an effigy in the shape of a puma, a sacred animal. The first three Spaniards arrived in the city in May 1533, after the Battle of Cajamarca, collecting for Atahualpa's Ransom Room. On 15 November 1533 Francisco Pizarro officially arrived in Cusco. "The capital of the Incas ... astonished the Spaniards by the beauty of its edifices, the length and regularity of its streets." The great square was surrounded by several palaces, since "each sovereign built a new palace for himself." "The delicacy of the stone work excelled" that of the Spaniards'. The fortress had three parapets and was composed of "heavy masses of rock". "Through the heart of the capital ran a river ... faced with stone. ... The most sumptuous edifice in Cuzco ... was undoubtedly the great temple dedicated to the Sun ... studded with gold plates ... surrounded by convents and dormitories for the priests. ... The palaces were numerous and the troops lost no time in plundering them of their contents, as well as despoiling the religious edifices," including the royal mummies in the Coricancha. Pizarro renamed it as the "very noble and great city of Cuzco". Buildings often constructed after the Spanish invasion have a mixture of Spanish influence and Inca indigenous architecture, including the Santa Clara and San Blas neighborhoods. The Spanish destroyed many Inca buildings, temples and palaces. They used the remaining walls as bases for the construction of a new city, and this stone masonry is still visible. Father Vincente de Valverde became the Bishop of Cusco and built his cathedral facing the plaza. He supported construction of the Dominican Order monastery (Santo Domingo Convent)on the ruins of the Corichanca, House of the Sun, and a convent at the former site of the House of the Virgins of the Sun. Cusco was the center for the Spanish colonization and spread of Christianity in the Andean world. It became very prosperous thanks to agriculture, cattle raising and mining, as well as its trade with Spain. The Spanish colonists constructed many churches and convents, as well as a cathedral, university and archdiocese.

Place of Publication Frankfurt on Main
Dimensions (cm)28,5 x 17,5 cm
ConditionPerfect condition
Coloringoriginal colored
TechniqueCopper print