Adina Sommer
Antique and Contemporary Art
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Callao de Lima.
Article ID | AMS1626 |
Title | Callao de Lima. |
Description | Magnificent bird's-eye view of the besieged port city of Lima in Peru, with many sailing ships in the foreground and a city index at the top left. From the atlas 'America: Being the Latest, and Most Accurate Description of the New World,' published in 1671 in London. |
Year | ca. 1671 |
Artist | Ogilby (1600-1676) |
John Ogilby was a Scottish translator, impresario and cartographer. Best known for publishing the first British road atlas, he was also a successful translator, noted for publishing his work in handsome illustrated editions. John Ogilby's career as a publisher and printer was gradual. The first editions of his Virgil and Aesop transmissions were published by John and Andrew Crook, both of whom were known for the poor quality of their printed works. His edition of Virgil's works, printed in 1654, was already a splendid volume, of which Ogilby wrote jubilantly that it was "the most beautiful that English printing can boast of so far". Ogilby had financed the printing of the lavish Virgil edition with a method that was hardly known until then, the subscription. To illustrate the work, he had one hundred full-page copperplate engravings made based on designs by the renowned painter Francis Cleyn. Subscribers could then have each individual engraving marked with their name, rank and coat of arms on the lower edge of the picture for a fee and in this way demonstrate their love of art on display. In this way, Ogilby could not only pay for the high manufacturing costs, but also satisfy the vanity of his subscribers. The financing of publishing projects through subscription was still new and little tried at the time - alongside the London publisher Richard Blome, Ogilby was one of the pioneers of subscription in the English publishing business of the 17th century. John Ogilby's -Arnold Montanus (1625-1683) Montanus' De Nieuwe en Onbekende Weereld (The New and Unknown World) appeared in 1673, first published by the Dutch doctor and historian Olfert Dapper (Amsterdam) and later by John Ogilby (Amsterdam) has been. This work is also a treasure trove for materials on America. It contains, among other things, maps of Virginia, Carolina, New England, America (with California as an island), Bermuda, Brazil, Peru, Venezuela, Chile, Paraguay. The copper engravings include an early view of New York, as well as views of Mexico, Carolina, Terceira, Puerto Rico (Porto Rico), Santo Domingo, Havana, St. Augustine / Florida, St. Martin, Campeche, Acapulco, Cartagena Trujillo in Honduras, Callao de Lima, Bay de Todos os Sanctus in Bahia / Brazil, San Salvador, Tamaraca, Olinda de Phernambuco and Mauritsstaad (Mauritiopolis). | |
Historical Description | In April 1532 Francisco Pizarro landed on the Peruvian coast. In November 1533 Pizarro reached the capital Cusco, which was handed over to him without any significant resistance. He appointed the younger brother Huáscars, Manco Cápac II as an Inca, who in 1536 dared a barely failed uprising. Pizarro had thus conquered the Inca Empire for the Spanish crown, and King Charles I, also known as the German-Roman Emperor Charles V, could say of himself: "The sun never sets in my empire." Pizarro founded today's capital in January 1535 Lima. The Spanish founded the Viceroyalty of Peru in 1542 with Lima as the capital, which, with the exception of Venezuela, included all Spanish possessions in South America. In 1572 the Spaniards took Vilcabamba, the last refuge of the Incas. Lima was developed by the Spaniards into a magnificent city and called the city of kings. While independence movements developed in most countries in South America from 1809, the situation in Peru remained relatively stable. The Bolivian dictator Andrés Santa Cruz invaded Lima in the Peruvian-Bolivian Confederation War in 1836 and united the two countries into the Peruvian-Bolivian Confederation. |
Place of Publication | London |
Dimensions (cm) | 29 x 35 cm |
Condition | Centerfold and 2 tears perfetly restored |
Coloring | original colored |
Technique | Copper print |
Reproduction:
67.50 €
( A reproduction can be ordered individually on request. )