Von den Kriegen und zwytrachten so sich zwischen engelandt und frankreich erhebt haben

Title

Von den Kriegen und zwytrachten so sich zwischen engelandt und frankreich erhebt haben

Description

Map shows the battle beween England and France.

ca. 1550

Artist

Münster (1489-1552)

Sebastian Münsters (1489-1552) is one of the famous cosmographers of the Renaissance. Its real importance in the field of cartography is based on its famous cosmography, which he published in 1544 with 24 double-sided maps (including Moscow and Transylvania). The material for this came largely from research and the collection of information from around 1528, which he initially only wanted to use for a description of Germany, but was now sufficient for a map of the entire world and ultimately led to a cosmography. He constantly tried to improve this work, i.e. to replace or add to maps. In the edition of 1550, only 14 maps were taken over from the earlier editions. The 52 maps printed in the text were also only partially based on the old maps. The great success of this cosmography was also based on the precise work of the woodcuts mostly by Hans Holbein the Younger, Urs Graf, Hans Rudolph Deutsch and David Kandel. It was the first scientific and at the same time generally understandable description of the knowledge of the world in German, in which the basics of history and geography, astronomy and natural sciences, regional and folklore were summarized according to the state of knowledge at that time. Cosmography is the science of describing the earth and the universe. Until the late Middle Ages, geography, geology and astronomy were also part of it. The first edition of the Cosmographia took place in 1544 in German, printed in Heinrich Petri's office in Basel. Heinrich Petri was a son from the first marriage of Münster's wife to the Basel printer Adam Petri. Over half of all editions up to 1628 were also published in German. However, the work has also been published in Latin, French, Czech and Italian. The English editions all comprised only a part of the complete work. Viktor Hantzsch identified a total of 46 editions in 1898 (German 27; Latin 8; French 3; Italian 3; Czech 1) that appeared from 1544 to 1650, while Karl Heinz Burmeister only had 36 (German 21; Latin 5; French 6; Italian 3; Czech 1) that appeared between 1544 and 1628. The first edition from 1544 was followed by the second edition in 1545, the third in 1546, the fourth edition in 1548 and the fifth edition in 1550, each supplemented by new reports and details, text images, city views and maps and revised altogether. Little has been known about who - apart from the book printers Heinrich Petri and Sebastian Henricpetri - were responsible for the new editions after Münster's death. The 1628 edition was edited and expanded by the Basel theologian Wolfgang Meyer. With Cosmographia, Sebastian Münster has published for the first time a joint work by learned historians and artists, by publishers, wood cutters and engravers. The numerous vedute are usually made as woodcuts. Sebastian Münster obtained his knowledge from the travel reports and stories of various scholars, geographers, cartographers and sea travelers. Long after his death, "Kosmographie" was still a popular work with large editions: 27 German, 8 Latin, 3 French, 4 English and even 1 Czech editions appeared. The last edition appeared in Basel in 1650.

Historical Description

The art of war is the theory and practice of the preparation, conduct and execution of combat operations of various dimensions in all spheres, which emerged with the formation of war and the armed forces. The art of war includes more than just warfare. It is divided into three components according to the increasing scale of combat operations: tactics, operational art and strategy. The art of war emerged in the period of transition from the gentile order (The origin of the family, private property and the state) to the class society in a long historical process and developed in connection with the gradual formation of states and the military. It is connected with the politics of peoples, states, classes, nations and coalitions of alliances, as well as the armed forces, and the wars they fought and military theoretical thinking. The oldest European written records on warfare date from the time of the Trojan War (ca. 1300 BCE), namely from Homer's work Iliad. The process of development towards the art of war intensified in the 5th/4th century B.C.E. in the countries of the Near East and North Africa, and continued in Europe for centuries until the 5th century B.C.E. The term art of war first appeared in European military writings in the 16th/17th century. It referred to the activity of the commander in war. Between 1519 and 1520, Niccolò Machiavelli wrote The Art of War or Dell'arte della guerra, which mainly describes military affairs and reports on tactics, strategy and politics in feudal society. Until the 18th century, military affairs and the command of troops were often understood as a craft of war or art rather than a science. Principles and rules of the art of war in late feudal armies were reflected in the writings of the French marshals Henri de la Tour d`Auvergne, Vicomte de Turenne (1611-1675), and Sébastien Le Prestre de Vauban (1633-1707), the Austro-imperial generals Raimund von Montecuccoli (1609-1680) and Prince Eugene of Savoy (1663-1736), and the Prussian king Frederick II. and in the 17th/18th century. An outstanding representative of a new art of war was the French Emperor Napoleon I (1769-1821).