Wie das Erdtrich und das Meere erstlich von Gottbeschaffen seint/ und in einander gefügt

  • Translation

Article ID W0077

Title

Wie das Erdtrich und das Meere erstlich von Gottbeschaffen seint/ und in einander gefügt

Description

Map shows the creation of the earth, divine revelation of the scriptures.

Year

ca. 1550

Artist

Münster (1489-1552)

Sebastian Münsters (1489-1552) is one of the famous cosmographers of the Renaissance. Its real importance in the field of cartography is based on its famous cosmography, which he published in 1544 with 24 double-sided maps (including Moscow and Transylvania). The material for this came largely from research and the collection of information from around 1528, which he initially only wanted to use for a description of Germany, but was now sufficient for a map of the entire world and ultimately led to a cosmography. He constantly tried to improve this work, i.e. to replace or add to maps. In the edition of 1550, only 14 maps were taken over from the earlier editions. The 52 maps printed in the text were also only partially based on the old maps. The great success of this cosmography was also based on the precise work of the woodcuts mostly by Hans Holbein the Younger, Urs Graf, Hans Rudolph Deutsch and David Kandel. It was the first scientific and at the same time generally understandable description of the knowledge of the world in German, in which the basics of history and geography, astronomy and natural sciences, regional and folklore were summarized according to the state of knowledge at that time. Cosmography is the science of describing the earth and the universe. Until the late Middle Ages, geography, geology and astronomy were also part of it. The first edition of the Cosmographia took place in 1544 in German, printed in Heinrich Petri's office in Basel. Heinrich Petri was a son from the first marriage of Münster's wife to the Basel printer Adam Petri. Over half of all editions up to 1628 were also published in German. However, the work has also been published in Latin, French, Czech and Italian. The English editions all comprised only a part of the complete work. Viktor Hantzsch identified a total of 46 editions in 1898 (German 27; Latin 8; French 3; Italian 3; Czech 1) that appeared from 1544 to 1650, while Karl Heinz Burmeister only had 36 (German 21; Latin 5; French 6; Italian 3; Czech 1) that appeared between 1544 and 1628. The first edition from 1544 was followed by the second edition in 1545, the third in 1546, the fourth edition in 1548 and the fifth edition in 1550, each supplemented by new reports and details, text images, city views and maps and revised altogether. Little has been known about who - apart from the book printers Heinrich Petri and Sebastian Henricpetri - were responsible for the new editions after Münster's death. The 1628 edition was edited and expanded by the Basel theologian Wolfgang Meyer. With Cosmographia, Sebastian Münster has published for the first time a joint work by learned historians and artists, by publishers, wood cutters and engravers. The numerous vedute are usually made as woodcuts. Sebastian Münster obtained his knowledge from the travel reports and stories of various scholars, geographers, cartographers and sea travelers. Long after his death, "Kosmographie" was still a popular work with large editions: 27 German, 8 Latin, 3 French, 4 English and even 1 Czech editions appeared. The last edition appeared in Basel in 1650.

Historical Description

Popular science refers to the period from about the 15th to the 18th centuries. The era is considered to be in the early modern period and is primarily concerned with the knowledge of seafarers and explorers. The idea of the age of discoveries is shaped by seafaring and discoveries overseas. In terms of content, however, it also includes astronomy, which is associated with the names of Tycho Brahe, Nikolaus Kopernikus, Isaac Newton and Johannes Kepler, among others. Giordano Bruno and Galileo Galilei also belong to this group. Not only the seafarers with their discoveries, but also they brought about changes in the world view. Some motifs were religious, e.g. B. that Christianity should be spread in the New World (missionary). The great European powers also expected an expansion of their political sphere of influence. This is evident in the overseas colonies, including the Spaniards, Portuguese, English, Dutch and French. The Tordesillas Treaty of 1494 is an example of this. It regulated the distribution of the discovered countries between Portugal and Spain. Global exploration began with the Portuguese discoveries of the Atlantic archipelagos of Madeira and the Azores in 1419 and 1427, the African coast after 1434, and the sea route to India in 1498; and from the Crown of Castile (Spain) the transatlantic trips of Christopher Columbus to America between 1492 and 1502 and the first world tour in the years 1519–1522. These discoveries led to numerous naval expeditions across the Atlantic, Indian and Pacific Oceans, and land expeditions in America, Asia, Africa, and Australia that continued into the late 19th century, followed by exploration of the polar regions in the 20th century. European overseas exploration led to the rise of world trade and the European colonial empires, with contact between the Old World (Europe, Asia and Africa) and the New World (America and Australia) creating Colombian exchange, a wide range of plant transfers, animals, and food , human populations (including slaves), communicable diseases and culture between the Eastern and Western Hemisphere. The age of discovery and later exploration of Europe made it possible to map the world, which led to a new worldview and distant civilizations, but also to the spread of diseases that decimated populations that were not previously in contact with Eurasia and Africa, and to enslavement , Exploitation, military conquest and economic dominance of Europe and its colonies over indigenous people. It also allowed the expansion of Christianity.

Place of Publication Basle
Dimensions (cm)28 x 16
ConditionVery good
Coloringoriginal colored
TechniqueWoodcut

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